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Rolandsbogen – Branding for a landmark on the Rhine
Roland Arch

Branding for a landmark on the Rhine

doctima – Clear design for comprehensible communication
doctima

Clear design for effective communication

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Women's business directory

B2B platform for female entrepreneurs

2bu Illustration: Growing Sustainably
The 2bu system

Strategy, design, communication and service, all from a single source

2bu Illustration: Vegan Brands
Vegan brands

Branding and marketing for vegan brands

2bu Illustration: Sustainable Products
Sustainable products

Green marketing for sustainable products

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Free branding for animal welfare NGOs: How to apply to 2bu design

Free branding for animal welfare NGOs: How to apply to 2bu design

Table of Contents
  1. Why we do this at all
  2. What a free branding project with us actually entails
  3. Who can apply
  4. What we expect in return
  5. And what if you aren't chosen?
  6. How the application process works

1. Why we’re doing this in the first place

At 2bu design , we call this ‘ambitious’ because standing still is simply not an option for us: we want to actively improve the world through giving and sharing. Behind this lies a second principle that is just as important to us: We prefer to work with brands that care about more than just profit – with conscious organisations that treat people, animals and our planet responsibly, and whose messages raise awareness and bring about lasting change.

In practical terms, this means that for this programme, we are looking for animal welfare organisations whose work moves us and which could make a greater impact with a clearer brand identity.

2. What a free branding project with us actually entails

Based on a joint briefing meeting , we’ll develop the sustainable branding for your organisation. You’ll receive our most comprehensive package. With the Package L , you’ll receive clear strategy guidelines and comprehensive design guidelines, enabling you to implement and manage all your touchpoints yourselves.

The strategy encompasses your brand essence, your positioning and your brand personas. The design guidelines contain the logo, the colour palette and typography, the visual language , as well as your own pictograms and illustrations. It also contains the brand system, which uses visualisations to show how your brand looks and feels.

The specific design of individual touchpoints – that is, ready-made social media templates, an innovative website or various print applications such as, for example, an appealing editorial design – are not included. You’ll receive the vital foundation upon which your organisation can build. If you already have strong branding and a sound strategy, we’d be happy to work with you to assess whether a social media project would be more beneficial.

3. Who can apply

How to tell if your project is suitable for this programme:

  • Your organisation is involved in animal welfare; you rehome animals, look after strays, run a sanctuary or operate a wildlife rescue centre.
  • You are funded primarily through government grants or donations rather than through traditional revenue streams.
  • Your location is not important at this stage – we operate internationally, and applications from abroad are very much welcome.

We want to make a difference. So, the clearer your mission and the greater the impact you could achieve with a stronger brand, the more suited you are to this programme. But please don’t be put off: first come, first served…

4. What we expect in return

For us, a pro bono branding project is not a one-way street. We believe in collaboration as equals – especially when no fee is involved. Commitment isn’t born of an invoice, but of mutual respect; that’s why, as a matter of principle, we’d like to see:

  • Getting to know each other openly right from the start – the foundation for everything that follows. It’s important to us that you’re just as keen on the project as we are.
  • After that, it’s up to you to decide – whether you want to play an active part in the process or leave the rest entirely to us is entirely up to you. Either option is fine by us.
  • Permission to publish – the project may be featured as a case study on our website, in our magazine and on our social media channels, as well as in adverts.*

As your project is completely free of charge, the following reference modules are also an integral part of the collaboration. In the case of a regular, paid project, these same modules would result in a discount of 40 % (see section 5 for more details):

  • A testimonial with a quote and profile picture for us to use as we wish, e.g. on our website, on social media or in an advert.
  • A social media post on your channels showcasing our joint project.
  • A blog post on your website about the collaboration, shared on your channels.
  • Our name as the creator or branding agency in the legal notice on your website, with a link to our website

In addition, we’re of course always delighted to receive a positive review on Google or Facebook, or to collaborate on a joint press release. Neither is compulsory, but both are a lovely gesture.

„When we take on a project, it’s not just about the organisation we’re supporting and the animals that will hopefully benefit from it. It’s also about 2bu design – about the work we’re able to put our heart and soul into, and about the attention that benefits both of us.“

Katrin Tindler-Kempen | Owner of 2bu design

* Only the first draft of the project page and the blog article may require prior approval at the client’s express request. Minor changes to images and text that do not alter the message do not require further approval but are carried out on the basis of trust. This does not apply to any posts on our channels or adverts in which no one is quoted or linked to, nor to new visualisations of the project.

5. What if you aren’t chosen?

We’re sure that enquiries will still come in even after the two free places have been allocated. That’s why every application that meets the specified criteria will receive a guaranteed discount of 20 % on our sustainable branding project – regardless of how many of the following reference modules you can provide. For each additional module, you’ll receive a 10 % discount on top, totalling up to a 60 % discount:

 

# Campaign Discount Applies to Repeatable
1Reference with quote and profile picture for free use10 %first projectYes, each time a new project is started
2Social media post on customer channels10 %first or next projectYes, each time a new project is started
3Blog post on the client’s website10 %first or next projectYes, at most once a year, up to a maximum of three times in total
4Crediting the author in the publication10 %respective touchpointYes, once per touchpoint, where appropriate
5Video testimonial for free use10 %next projectNo, one-off
6Review on Google or FacebookUnpaid——
7Press releaseUnpaid——

 

Our aim is to make a difference for animals, people and the environment – not just in animal welfare. So, are you not an animal welfare NGO, but rather involved in vegan hospitality, environmental protection, coaching or healthcare, or running a sustainable start-up? The same referral modules and discounts from the table above apply to you too – just without the guaranteed 20-% base rate, which applies specifically to animal welfare NGOs. You can find out more about the entire system in our article on Trust as a Business Strategy.

6. How the application process works

The first meeting is our usual coffee date so we can get to know each other. You can simply book it via our website on Calendly – for example, here below the article – and answer the questions about your organisation as thoroughly as possible. The aim is to allow us to prepare for the meeting in advance so that neither of us wastes any of our valuable time. This initial meeting often leads straight on to the briefing meeting, during which we work out together where your brand’s journey should take it – and whether both sides can actually meet the conditions set out.

Free, but not for nothing

For us, a free branding project is about more than just a one-off gesture: it’s about making a difference for animals in partnership with an animal welfare organisation – whilst also raising our own profile in the process.

  • Twice a year we donate a complete branding system – positioning, visual identity and visualisations – to an animal welfare organisation.
  • For us, ‘free’ means: visibility, an open introduction at the start, and the permission to showcase the project – these are all part of it.
  • It’s up to you to decide whether you want to play an active part in the process afterwards or hand it over to us.
  • All applications that meet the requirements stand a chance of receiving a 60 % discount – so it’s almost always worth applying.
  • The application process begins with a real conversation.

Do you think your organisation could really do with this opportunity?

At 2bu design, we develop brand identities for animal welfare organisations – from positioning right through to the visual foundation of your brand. Two places per year are completely free of charge, whilst all other eligible applications receive a 60 % discount.

Book a no-obligation Coffee Date via our website on Calendly and tell us about your mission. Together, we’ll find out whether your project is a good fit for this format – in an open and informal way, with no sales pressure.

Trust as a business strategy: how 2bu design puts its values into practice

Trust as a business strategy: how 2bu design puts its values into practice

Table of Contents

  1. The background: Why referrals deserve more than just a thank you
  2. The thought process: three approaches, three logics
  3. What came of it: The referral programme
  4. The result: support initiatives offering genuine value in return
  5. What has become of it: the NGO support project
  6. What we deliberately do not cover under – and why this is important
  7. What we have learnt from this

The background: Why referrals deserve more than just a thank you

A brand rarely grows through advertising alone. It grows through people who stand for the same cause and raise each other’s profile. Anyone who champions sustainability, animal welfare or a more conscious economy rarely reaches their goal alone – but through a network of people and organisations who support one another, recommend one another and stand up for one another. We didn’t want to leave this very principle to chance, but rather to consciously incorporate it into the way we work.

When someone opens up their own network to us and takes a risk in doing so – after all, their own name is on the line – then that’s more than just a footnote. It is work, even if it doesn’t feel like it. And a reference is also work: investing time, having your photograph taken or being filmed, speaking openly about the collaboration. Work that raises our profile or leads to a genuine project should also be remunerated accordingly.

This line of thinking did not result in a single programme, but in three – because not every form of support is the same, and because we did not want to treat everything in the same way.

The thought process: three approaches, three logics

The more interesting question wasn’t „How do we say thank you?", but „What exactly are we thanking them for?" A direct referral leading to a signed project is quite different from an honest Google review. And an honest review is, in turn, quite different from the generosity of an NGO that dares to apply for a free project, even though the competition is fierce.

So we have developed three logical frameworks:

  • Anyone who refers a specific project to us shares in the business risk – and that deserves a commission.
  • Anyone who supports us at in other ways, such as by leaving a review or writing an article, deserves recognition in the form of a discount on their own collaboration with us.
  • And because animal welfare is particularly close to our hearts, we carry out a complete branding project twice a year free of charge for a non-profit organisation working in the field of animal welfare.

Three programmes, one shared philosophy: anyone who places their trust in us or helps us raise our profile should actually benefit from it – not just receive a written thank-you.

What came of it: The referral programme

Anyone who introduces us to someone who is looking for exactly what we do, and where this contact leads to a genuine project, will receive 15 % commission on the value of the first project . The process is very simple: you make the introduction, the person books a coffee meeting with us, and once the contract is signed, you’ll receive your commission.

So: a recommendation, a project, a commission. What’s particularly important to us here is that we don’t want to build a system that feels like network marketing. It’s all about genuine recommendations – because we’re all working towards a common cause. And that’s not all. Perhaps your customers would also like to be confident that you’re working with brands and people who share the same values.

The result: support initiatives offering genuine value in return

Not every form of support can be translated into a commission. Some gestures are smaller, but just as valuable – a picture, a social media post, a blog article, a mention as the creator. To ensure that nobody has to calculate or negotiate here, there’s a simple rule: every action counts as 10 %.

 

# Campaign Discount Applies to Repeatable
1Reference with image for free use10 %first projectYes, each time a new project is started
2Social media post on customer channels10 %first or next projectYes, each time a new project is started
3Blog post on the client’s website10 %first or next projectYes, at most once a year, up to a maximum of three times in total
4Crediting the author in the publication10 %respective touchpointYes, once per touchpoint, where appropriate
5Video testimonial for free use10 %next projectNo, one-off
6Review on Google or FacebookUnpaid——
7Press releaseUnpaid——

 

A blog post only counts if it is also shared on social media – after all, the link should actually be visible, not just appear on your own website. The acknowledgement as the author is deliberately kept flexible and can appear wherever it makes sense in terms of content: in the website’s legal notice, on the call-to-action slide of a social media post, in the legal notice of an editorial project or in the margin of an event roll-up. A video testimonial is only possible from the second project onwards. A video like this thrives on genuine commitment – and you can only achieve that if you’re truly convinced by the collaboration.

What this might mean in practical terms: First project: Testimonial with image (10 %) plus social media post (10 %) plus blog article (10 %) plus credit as the creator (10 %) add up to a 40 % discount on the first project. Second project: If another project is added, the video testimonial is now also available. A reference with a photo, a social media post, a blog article, a mention as the creator and a video testimonial together add up to 50 % discount on the new project.

Recommendations and testimonials should always reflect the actual collaboration. We therefore never ask for a specific star rating or pre-written text – only for an honest, authentic opinion. Furthermore, we ask all project partners to comply with the respective guidelines of the platforms, particularly regarding the labelling of advertising or consideration.

For all our projects, a reference usage right applies. This means that – unless otherwise agreed in writing – we will publish the resulting work as references on our website and across our communication channels. As a token of our appreciation, we grant our clients the agreed rights of use at no additional cost. For us, this is part of a fair working relationship: good work should be put to use – by both parties.

"We wanted a system where nobody feels they have to do or sell anything – but one that simply recognises what happens anyway out of genuine conviction."
Katrin Tindler-Kempen | Owner of 2bu design

What has become of it: the NGO support project

Some impact cannot be measured in percentages. That is why, twice a year, we carry out a branding project entirely free of charge for a not-for-profit organisation working in the field of animal welfare. From the applications received, we select the non-profit organisation whose cause and impact move us the most. Of course, it also matters whether you get in touch right at the start of the year or after the other places have already been allocated.

What is particularly important to us is that the application process should have been worthwhile even for the non-profit organisations that were not selected. All NGOs not selected will receive, in addition to the same support measures as regular customers, a guaranteed additional discount of 20 % – regardless of how many reference modules they can provide. In total, this means that non-selected NGOs will receive a discount of up to 60 % on their first branding project.

We explain this in more detail, along with exactly how the application process works, in our article on free branding for animal welfare NGOs. Ultimately, it’s not about who wins, but about ensuring that as many principled non-profit organisations as possible can afford a strong brand.

What we deliberately do not cover under – and why this is important

Perhaps the point here isn’t so much about rewarding as much as possible, but about remaining honest. Likes, simple comments or small gestures on social media mean a great deal to us – they’re part of a vibrant community, and that’s exactly what we’re looking for. We’d also be delighted to receive a review on Google or Facebook as well as a press release . But we don’t pay for them.

Paid endorsements breach the platforms’ guidelines, and they would go against everything we stand for: honesty without marketing gimmicks. We still value a review, though – just not in terms of percentages.

What we have learnt from this

Not all forms of appreciation are the same – and this is precisely what is often overlooked in the business world. Here are a few key insights from this process:

  • Appreciation works best when it matches the gesture in question – a commission for a project secured, a discount for an honest reference, a free project for an NGO on a tight budget.
  • Clear, simple rules build more trust than complicated tiered systems.
  • Transparency in reviews is not just a tedious compliance issue, but part of a honest brand ethos.
  • Not every act of support needs to be rewarded to be appreciated – sometimes it’s enough simply to say so openly.
  • Anyone who takes a relationship seriously also thinks of those who don’t come out on top in the end.

Are you wondering how a brand can be created that not only looks good, but also consistently reflects its values in every detail?

At 2bu design, we develop branding for companies that operate in a sustainable, conscious and principled manner – from Brand Strategy to visual identity, and sometimes even down to the small print of a referral programme.

Take a look at our services or get in touch with us directly. Together, we’ll work out how to raise your brand’s profile – clearly, authentically and with long-term impact.

innocent transforms a simple, sustainable idea into a love brand

innocent transforms a simple, sustainable idea into a love brand

The story behind the brand

The brand Innocent Drinks was founded in London in 1999. Three friends – Richard Reed, Jon Wright and Adam Balon – were selling fresh fruit smoothies at a music festival. Visitors were asked to decide whether the founders should quit their jobs and launch the business.

The vote was conducted using two bins:
„Yes“ or „No“.

The „Yes“ bucket was full.
The rest is brand history.

Innocent focussed on three things right from the start:

  • simple ingredients

  • Transparent communication

  • a human brand voice

Today, the company sells millions of smoothies a year and is one of Europe’s best-known drinks brands. At the same time, its original ethos remains clear: to produce good products whilst acting responsibly.

Sustainability as part of the corporate strategy

Sustainability is a marketing issue for many brands. At Innocent, it is part of the business strategy.

For example, the brand is part of the B Corporation. Companies with this certification commit to adhering to social and environmental standards and having these regularly audited.

Innocent's key sustainability goals include

  • Climate-neutral production

  • Responsible sourcing of fruit

  • More sustainable packaging

  • long-term partnerships with farmers

One important project is the new production facility in Rotterdam, the so-called „Blender“. The plant was designed so that it can run entirely on renewable energy.

The aim: to produce drinks without unnecessarily increasing the ecological footprint.

Of course, critical thinking remains important here too. The production, transport and packaging of drinks always have an impact on the environment and resources. The question is therefore not: Is a company perfect?
But rather: Is it moving in the right direction?

Social commitment – the Innocent Foundation

As well as environmental projects, Innocent is heavily involved in social initiatives. A portion of the company’s profits goes to the Innocent Foundation.

This foundation supports projects worldwide that work against hunger and poverty – especially in regions where fruit is grown.

The foundation focuses on programmes that:

  • Improving food security

  • Promoting sustainable agriculture

  • Strengthen local communities

To date, the organisation has invested millions in social projects. This approach demonstrates that: Corporate Social Responsibility can be more than just a public relations exercise if it is approached with a long-term perspective.

The role of humour and humanity in branding

Another reason for the success of Innocent Drinks is its unique brand voice.

While many food brands communicate in a sterile or functional way, Innocent focuses on humour. Small texts, puns and friendly comments can be found on the packaging.

These seemingly small details fulfil several functions:

  • they make the brand approachable

  • they increase recognisability

  • they convey values without moralising

One example of this is the famous „Big Knit“ project. In this project, people knit little woollen hats for smoothie bottles. For every bottle sold with a hat, the company donates money to charities supporting older people.

What appears playful at first glance is actually clever community branding.

Why this brand works so well strategically

Innocent’s success is not down to the product alone. It lies in the clear brand strategy.

The brand combines several elements into a consistent identity:

  • Simple, natural products

  • Transparent communication

  • Humour and personality

  • Social responsibility

The logo with the little halo is a good symbol of this. It does not signify perfection, but rather an attitude: We try to do things better.

In line with this, the entrepreneur Richard Reed once said:

„If you try to build a business that is good for people and the planet, profit can follow.“

This view is also supported by research. Studies show that consumers trust brands more when they uphold clearly communicated values.

Why attitude is the strongest brand strategy

The story of Innocent Drinks shows that successful branding is more than just a nice logo or a good campaign.

It's about:

  • Clear values

  • Consistent communication

  • Credible commitment

Sustainability is only convincing if it is part of the corporate strategy – not just part of the marketing department.

This is a great opportunity for sustainable brands. Making attitude visible creates trust. And trust is one of the strongest brand currencies in the long term.

Do you want to build a brand that not only looks good, but also showcases genuine values?

At 2bu design, we develop branding strategies for companies that operate in a sustainable, conscious and principled manner. From Brand Strategy to visual identity.

Take a look at our services or get in touch with us directly.
Together, we’ll work out how to raise your brand’s profile – clearly, authentically and with long-term impact.

Oatly: How humour and tone of voice became the strongest brand strategy

Oatly: How humour and tone of voice became the strongest brand strategy

Oatly is not oat milk. Oatly is a statement.

Oatly doesn’t sell a product. Oatly sells a way of thinking.
And that’s not just marketing jargon, but a strategic decision.

Whilst many food brands rely on health claims, an aesthetic of perfection and watered-down sustainability promises, Oatly does something completely different:
the brand speaks. And it does so in a way that brands are not actually supposed to speak.

This is particularly evident in social media marketing. Here, we see how brand strategy is brought to life through language. Humour is not just a nice extra here, but a brand-defining element. Oatly uses language as a tool to break down barriers, capture attention and create cultural relevance.

Or to put it another way: Oatly doesn't want to please. Oatly wants to resonate.

Brand Strategy: The conscious decision in favour of the Challenger role

Every strong brand voice begins with a clear strategic stance. At Oatly, this is: We are the disruptors.

The brand strategy is based on a few basic assumptions that are implemented extremely consistently:

  • The market is full of interchangeable messages
  • People have had enough of slick brands
  • Sustainability needs honesty, not a glossy façade

Oatly deliberately positions itself as a challenger brand. This means:

  • Do not adapt, but question.
  • Not to explain, but to comment.
  • Don't try to convince, but allow discussion.

This strategy is directly reflected in the company’s social media marketing. Oatly does not communicate about the community, but with it. Comments are allowed to be critical. Campaigns are allowed to be controversial. Posts are allowed to be absurd.

The result: a brand with a distinct edge that doesn’t appeal to everyone – but remains relevant precisely for that reason.

Tone of Voice: Cheeky, self-deprecating, human – and maximally conscious

Oatly’s tone of voice comes across as spontaneous. But it isn’t.
It is highly strategic.

The language follows clear principles:

  • Everyday language instead of marketing language
  • Irony instead of instruction
  • Personality instead of perfection

Oatly writes the way people think. Disorganised. Honest. Sometimes slightly annoyed. Sometimes overly reflective. Often with a humorous twist that breaks expectations.

Important: Humour is never just for entertainment. It is a signal.
It says: We don’t take ourselves more seriously than the cause.
And that is precisely what makes the brand credible.

In the context of social media, this language ensures high shareability, strong community engagement and brand recognition – even without a logo.

Humour as a brand tool – not as a gag

Many brands „use humour“. Oatly is humorous .
That’s a big difference.

Humour at Oatly fulfils several functions at the same time:

  • It lowers the entry barrier to complex topics such as sustainability
  • It makes attitude accessible without appearing moralistic
  • It creates emotional closeness

The humour is often deliberately unwieldy. Texts are long. Statements seem almost too honest. Some messages read like internal thoughts made public by –.

That causes irritation.
And irritation attracts attention.

Humour is therefore not an end in itself, but part of the communicative brand architecture. It helps to ensure that Oatly is not only noticed, but also remembered.

Social media as an extension of the brand identity

Oatly does not use social media as a sales channel, but as a cultural platform.
Every post follows the same logic as the packaging, OOH or website:

  • same language
  • same attitude
  • The same desire to break the rules

This also means:
No meaningless trend hashtags.
No copy-and-paste CTAs.
No empty sustainability claims.

Instead, content is created that feels like commentary on the zeitgeist. Social media becomes a stage for brand personality – not a discount wall.

For sustainable brands, this is a key insight:
Consistency trumps volume.
And stance trumps reach.

„Your brand is what people say about you when you're not in the room.“

Jeff Bezos | American entrepreneur and investor

Oatly takes great care to ensure what is said – through language, tone of voice and the courage to be uncomfortable.

Why Oatly is a blueprint for value-orientated brands

Oatly impressively demonstrates that good social media marketing isn’t about tools, but about decisions. Decisions about stance. About language. About personality.

The brand proves that:
Humour can run deep.
Sustainability can be loud.
Branding can be uncomfortable.

There is a clear lesson here for sustainable, animal-friendly and values-driven companies:
A strong brand strategy needs an equally strong tone of voice. And this must – no, should – sound different from everything else in the feed.

You don't want an interchangeable brand voice, but a language with attitude?

At 2bu design, we develop Brand Strategy, branding and tone of voice not based on trends, but on depth. We work with the archetypes according to C. G. Jung and translate them into contemporary brand attitudes – as with Oatly, where the Challenger emerges from a blend of Rebel and Hero.

Let's find out together how your brand can speak.

Pilar Font – Art deco typography for strong brand identities

Pilar Font – Art deco typography for strong brand identities

Art deco, but contemporary please

Art Deco is a tricky thing. It’s all too easy to slip into gold frames, Gatsby-style kitsch and over-the-top nostalgia. Pilar takes a different approach. The typeface takes the formal rigour and geometry of European Art Deco, but strips away everything superfluous.

Pilar was originally created in 2012 for the headlines of the magazine Bol’shoy Gorod (Big City). This is no coincidence. Editorial contexts are brutally honest. Either a typeface carries the content – or it falls short. Pilar passed the test and was further developed.

The result is a geometric sans-serif font that appears stable but not rigid. Clearly structured, but not cold. Ideal for brands that wish to combine attitude, intellect and aesthetics. Particularly in branding, in editorial design or on websites that want to say more than just „we’re here too“.

This is exciting for sustainable and value-orientated brands. Pilar doesn't shout. It stands. And that is often the louder statement.

Four stylistic movements – one system, many voices

Now it's getting typographically nerdy. And that's a good thing.

Pilar features four stylistic sets, each with its own set of alphanumeric glyphs. This means that every letter exists in several variants. These are not mere gimmicks, but genuine design options.

The four sets are called:

  • Regularly open

  • Wide closed

  • Narrow

  • Game

The highlight: you can vary within a word or sentence without breaking the visual system. Headlines become dynamic. Logos look customised. Campaigns remain consistent, but not monotonous.

In brand design in particular, this is worth its weight in gold. A typeface that adapts without losing its identity saves time, avoids discussions – and, ultimately, conserves resources too. Sustainability sometimes simply starts with good decisions.

For us as a branding agency, this means fewer compromises between aesthetics and function. More room for manoeuvre for real concepts.

Who is behind it?

Behind Pilar is CSTM Fonts, founded in 2014 by Ilya Ruderman and Yury Ostromentsky. Neither of them comes from the „we make fonts too“ camp, but rather from a deep background in typography.

Both studied graphic design at the Moscow State University of Print Arts. Ilya Ruderman later completed the prestigious Master’s programme in Type & Media at the Royal Academy of Art in The Hague. He has worked as a tutor, art director and type designer for international foundries and has contributed to, amongst others, Neutraface, Graphik and Lava.

Yury Ostromentsky was, for a long time, Art Director at BigCity Magazine. Pilar is based on his personal typeface, which was used there. In other words: real-world use, real-world requirements, real feedback.

Her work has received numerous awards, including at Granshan, Modern Cyrillic and the European Design Award. In short: this is no mere trend font. It’s the real deal.

Why we love Pilar

Because Pilar makes a statement without being loud.
Because she supports complex brand identities rather than dominating them.
And because she proves that good typography doesn’t need explaining – it simply works.

Pilar is particularly inspiring for sustainable, ethical and vegan businesses. She comes across as thoughtful, mature and clear-headed. No sensationalism. No eco-clichés. Just design with high standards.

Exactly our thing.

Why we love Pilar

Because Pilar makes a statement without being loud.
Because she supports complex brand identities rather than dominating them.
And because she proves that good typography doesn’t need explaining – it simply works.

Pilar is particularly inspiring for sustainable, ethical and vegan businesses. She comes across as thoughtful, mature and clear-headed. No sensationalism. No eco-clichés. Just design with high standards.

Exactly our thing.

Want to know if Pilar fits your brand?

Or are you looking for a typeface that truly supports your brand strategy, your corporate design and your communication?

Then let's talk about it. We don't think of typography in isolation, but as part of a meaningful overall system. For brands with attitude. And backbone.

Forager Font – Expressive display font for bold branding with attitude

Forager Font – Expressive display font for bold branding with attitude

Forager: When typography starts to breathe

Forager is one of those typefaces where you realise straight away: nobody set out to design „just another sans serif“ here.
It was all about attitude. About rhythm. About visual friction.

The font unites three very different worlds:

  • the psychedelic opulence of the 70s,

  • the organic lines of Art Nouveau,

  • and the reduction of modern sans-serif typefaces (sans-serif typefaces without small descenders).

That sounds like chaos. But it isn’t.
Forager balances these influences with surprising precision.

Overlapping as a design principle

At the heart of Forager is its overlap. Letters share space, intersect and interlock. Normally, this would be a nightmare for readability. Not here.

The trick lies in the design:
curved verticals meet flat horizontals. This creates a rounded, slightly angular design language that makes overlaps clearly recognisable. The eye can distinguish between the letters, even though they touch. Typographically clever. Almost cheeky.

The font family comprises five weights, each available in:

  • overlapping variants for maximum impact

  • and tightly spaced versions for more controlled layouts

This makes Forager amazingly versatile – from bold branding and editorial headlines to experimental social media visuals.

Who is behind it?

Forager was designed by Jacob Cummings, and published by Overlap Type – a relatively new but all the more exciting typeface label headed by Kel Troughton.

Overlap Type was launched in 2023 with a radical rule: Only typefaces with overlapping letterforms.

What began as a self-imposed restriction quickly became a creative playground. Today, Overlap Type goes beyond mere overlapping, whilst remaining true to its mission: to challenge conventional rules in type design.

And that’s exactly what you sense about Forager.
This typeface isn’t designed to please. It’s designed to make an impact.

Why we love Forager

Forager is the perfect fit for brands that don't want to be slick. For sustainable businesses, cultural projects, vegan labels or magazines with high standards.

She says:
We think differently.
We’re not afraid to take risks.
And we mean business.

Typography is communication. Forager speaks loudly – but not haphazardly.

Additional licence options – such as those for apps or enterprise use – can be found at www.overlaptype.com.

You want to know if Forager fits your brand?

Or are you looking for a typeface that truly supports your brand strategy, your corporate design and your communication?

Then let's talk about it. We don't think of typography in isolation, but as part of a meaningful overall system. For brands with attitude. And backbone.

Call-to-actions in social media – how sustainable brands get people to take action

Call-to-actions in social media – how sustainable brands get people to take action

Why call-to-actions are more than marketing

Social media isn’t a monologue. It’s a dialogue characterised by interruptions, distractions and very short attention spans.
A CTA brings things to a close here. Or rather: it points the way forward.

A good call to action doesn’t say „buy now“, but rather:
„If this interests you, click here to find out more.“

Sustainable brands, in particular, often hesitate. Too loud? Too promotional? Too pushy?
Yet the opposite is true: no CTA often comes across as arbitrary and unclear.

CTAs help:

  • Provide orientation

  • Start conversations

  • Build reach organically

  • Deepening relationships

Or to put it more simply: when you share something, you should also say why.

Why many CTAs do not work

Most bad CTAs are not meant to be bad. They are simply imprecise.

Typical stumbling blocks:

  • Very general requests without benefit

  • several CTAs in one post (overload sends its regards)

  • always the same CTA, no matter what it's about

  • CTAs that only benefit the company

A CTA only works if its content is relevant to the post.
An informative post requires something different from a personal insight or a promotional post.

Sustainable communication does not mean sacrificing clarity.
On the contrary.

These types of call-to-actions work particularly well

CTAs have different tasks. Those who understand this automatically write better ones.

Interaction CTAs

They invite opinion. Not for approval.

Examples:

  • „What do you think?“

  • „Which point is relevant for you right now?“

  • „How do you deal with it?“

These CTAs are quiet but effective. They create proximity and movement.

Value-added and educational CTAs

Ideal for explanatory content, guides or posture topics.

Examples:

  • „Save this post for later“

  • „Swipe for the summary“

  • „Read on if you want to understand sustainable marketing more deeply“

The CTA reinforces the benefit of the content here.

Relationship CTAs

They say: You are welcome here.

Examples:

  • „Follow us for honest marketing with attitude“

  • „Write us a DM if you are interested in the topic“

  • „If you find yourself here, feel free to stay“

These CTAs are essential for small, value-based brands in particular.

Offer CTAs

Yes, selling is allowed. Transparency makes the difference.

Examples:

  • „You can find out more about how we work here“

  • „How we support sustainable brands in branding“

  • „See if a collaboration is right for you“

No pressure. A clear invitation.

How CTAs don't sound like marketing

It’s all about the tone.
Good CTAs feel like the logical final sentence of a post.

Helpful guidelines:

  • one CTA per post

  • actively, but calmly formulated

  • concrete instead of vague

  • honest instead of clever

A simple reality check:
Would you actually say this sentence in a real conversation?
If not, your community will notice that too.

A fitting thought from Simon Sinek:

„People don't buy what you do; they buy why you do it.“

Simon Sinek

A CTA without an attitude falls flat. One with attitude works – even without an exclamation mark.

CTAs as part of your brand voice

Calls to action aren’t just an afterthought. They’re part of your brand voice.
They should convey the same values as your design, your language and your offers.

For sustainable brands, this means

  • Less pressure, more invitation

  • Less tactics, more clarity

  • less volume, more substance

At 2bu design, we always take a strategic approach to CTAs. Not in isolation, but as part of our branding, content strategy and long-term visibility. After all, a single post rarely makes an impact. A coherent system certainly does.

Strong call-to-actions are not marketing tricks

They are a service. They help your community to understand:

  • Why your content is relevant

  • what you can do with it

  • how they connect with you

Sustainable brands, in particular, need to learn to be clearly visible – without compromising their values.

CTAs are not at odds with mindfulness.
They provide structure in a noisy world.

Do you want CTAs that fit your brand and don't feel like marketing?

If you like, we can take the next step:

  • Develop specific Instagram CTAs for your content formats

  • Build a 2bu-style CTA library

  • or integrate CTAs directly into existing posts and refine them

Let’s take a look together at how sustainable branding and social media can work together effectively for your business.

    Understanding website hosting: Which solution suits you and your budget

    Understanding website hosting: Which solution suits you and your budget

    1. large hosting providers: convenient, cheap – but not always smart

    Major hosting providers such as Strato, IONOS, All-Inkl or Hetzner are, for many, the first point of contact when it comes to websites. Getting started is easy, the prices of €5–10 seem attractive and the promises are big: plenty of storage, high availability, 24/7 support. For small projects or landing pages, this can be perfectly adequate. Problems usually only arise when websites grow or become more customised.

    The biggest advantage lies in standardisation. These providers operate huge server infrastructures on which thousands of websites run in parallel. This reduces costs – but also flexibility. Updates, server configurations and PHP versions are often pre-determined. For WordPress sites using Divi, WooCommerce or custom plugins, this can quickly lead to performance issues or incompatibilities.

    Another point: Not all support is the same. Whilst there are helplines, there are rarely dedicated contact persons. The people on the other end aren’t familiar with your website, and you don’t understand the language. If something breaks, you’ll usually have to hire a developer. Monitoring, security checks and SEO-related performance optimisations aren’t included in the scope of services.

    Advantages of large providers

    • Favourable entry
    • Simple set-up
    • Good basis for small, static websites

    Disadvantages

    • You have to buy your URL yourself
    • Emails are not set up for you
    • Shared server → fluctuating performance
    • No view of your specific website
    • Maintenance, updates and security remain with you

    2. developer hosting: when technology becomes part of the strategy

    When you host your website through a developer or an agency, your website isn’t simply „somewhere“ – it’s deliberately hosted in a managed environment for €10–25. The server is tailored to your system: the WordPress version, Divi theme, plugins, PHP settings and caching all work seamlessly together. This has a direct impact on load times, stability and SEO.

    The key difference: your developer knows your website . He or she knows which plugins are critical, which updates should be tested and where potential vulnerabilities lie. Rather than simply reacting when something goes wrong, they regularly check, update and optimise your site. This reduces downtime, security breaches and stress.

    This is a real advantage, particularly for business owners who aren’t particularly tech-savvy or for brands with sensitive content – such as those run by coaches and therapists. Your website isn’t just online – it’s managed & secure. And usually for a surprisingly low price, because many developers use shared servers or optimised setups.

    Typical services for developer hosting

    • URL is purchased in your name
    • Emails are set up for you
    • Regular updates (core, theme, plugins)
    • Safety monitoring
    • Performance checks
    • Backups & recovery
    • Technical contact who knows your setup

    3. monthly website maintenance: small hours, big impact

    Many developers also offer maintenance or support packages. These usually include 1–2 hours per month for simple tasks. That may not sound like much, but it’s extremely valuable from a strategic point of view. This is because this time can be used flexibly: for minor text adjustments, changing images or fine-tuning SEO. The cost for this starts at €25.

    The big advantage lies in the predictability for both sides. You don’t have to request a new quote, explain what you need or wait every single time. Your developer has set aside time for you – and can respond if something comes up at short notice. This is worth its weight in gold, particularly for the self-employed and NGOs, where campaigns often arise spontaneously.

    In addition, the inhibition threshold for optimising things decreases. Instead of „It's not worth it now“, a continuous improvement process is created. And this is precisely what is crucial from an SEO and brand perspective.

    What monthly care makes possible

    • Immediate reactions without extra costs
    • New projects implemented more quickly
    • Continuous optimisation instead of individual actions
    • Less technical legacy
    • better performance & visibility

    Well-established team vs. constantly new contact persons

    One point that is often underestimated: Changing teams costs money. Every new team has to familiarise itself with the work, understand the website and make sense of past decisions. This is not efficient – neither economically nor in the long term.

    2budesign therefore works with a well-established team. Decisions are made more quickly, problems are identified earlier and solutions are implemented more effectively. This not only saves time, but also money. Furthermore, there are fewer misunderstandings because the context is clear – something that cannot be captured in ticketing systems.

    This long-term and trust-based collaboration makes particular sense for value-driven companies. That is why we rely on solutions 2 and 3 with our developers. Continuity and responsibility are thus not just buzzwords, but genuine factors for success. On request, we will of course also tailor our approach to the specific requirements of your system.

    Why a fixed setup makes sense

    • Less coordination effort
    • Lower familiarisation costs
    • Consistent technical decisions
    • Long-term quality instead of short-term patchwork solutions

    Hosting is not a minor matter

    Hosting determines whether your website just exists – or works. Large providers are convenient, but rarely strategic. Developer hosting with a maintenance package creates stability, saves costs in the long term and takes the pressure off you mentally. Especially when branding, content and technology need to work together.

    You don't want to deal with servers, updates and technical details?

    Here at 2bu design, we work closely with experienced developers and take a holistic approach to hosting, design and maintenance. Whether it’s a Divi website, a WooCommerce shop or a sustainable campaign site: we ensure that the technology runs smoothly in the background – and that your values shine through.

    Let’s work together to build a setup that is stable, sustainable and future-proof.

    Benton Modern – classic serif font for editorial design with attitude

    Benton Modern – classic serif font for editorial design with attitude

    A newspaper and that's exactly why it's so good

    Benton Modern was not designed to shine on Dribbble. It was built to be read. Day by day. Column by column.

    Font Bureau originally developed Benton Modern as a body typeface for the Boston Globe and the Detroit Free Press. Newspapers are brutally honest when it comes to typography. If a typeface doesn’t work, you notice it straight away. Poor readability? Annoying letterforms? Eye strain after just a few paragraphs? No chance.

    The design is based on Century Expanded, designed around 1900 by Morris Fuller Benton for ATF. A typeface from a time when typography was still a true craft. Proportions with purpose. Serifs with a purpose. A subtle grey tone that carries the content rather than drowning it out.

    Benton Modern is a very respectful new edition of this idea. Historical at its core, technically realised in a contemporary way. It appears stable, clear and surprisingly modern – precisely because it is not orientated towards short-lived trends.

    For editorial design, magazines, blogs or extensive pieces of writing, this is a real asset. And it also comes into its own in branding: it conveys credibility, professionalism and depth. These are qualities that sustainable and ethical brands urgently need.

    Quiet details instead of loud effects

    What makes Benton Modern special happens quietly. The font doesn't want to stand out. It wants to work.

    The Italic is based on Century Schoolbook. Many people recognise it from school textbooks. That is precisely why it feels so familiar. It comes across as human, approachable and honest. No academic arrogance. No typographical pretentiousness.

    The family is complemented by Display styles, designed by Dyana Weissman and Richard Lipton. They add a little more presence to the design, whilst remaining true to the family’s core character. Ideal for headlines, quotations or editorial lead-ins. Clear. Calm. Confident.

    This restraint is a particular advantage for brands that want to communicate consciously. Benton Modern does not come between the sender and the message. It lets the content take effect.

    In practice, this means: fewer typographical corrections, less visual readjustment, more focus on the essentials. Sustainable in the best sense of the word.

    Who is behind it?

    The Benton Modern display styles were developed by Dyana Weissman and Richard Lipton. Both are known for their functional, precise type design with character.

    Today, the typeface is managed by Monotype Studio. An international team of over 50 staff members that supports brands worldwide in developing a distinctive visual voice. Since 2025, Fontworks Inc. has also been part of Monotype – a merger that demonstrates just how strategically important typography has become.

    Why we love Benton Modern

    We love Benton Modern because it takes content seriously. Because it is not loud. And because it creates trust.

    She is an excellent choice for values-driven branding, editorial design and well-thought-out brand communication. She is a good fit for companies that think long-term. For brands that don’t need to shout. And for anyone who knows that good typography is often at its best precisely when you hardly notice it.

    Additional licence options – such as those for apps or enterprise use – can be found at www.monotype.com/de.

    Would you like to know whether Benton Modern is a good fit for your brand?

    Or are you looking for a typeface that truly supports your brand strategy, your corporate design and your communication?

    Then let's talk about it. We don't think of typography in isolation, but as part of a meaningful overall system. For brands with attitude. And backbone.